I chose to select this project as an artefact as I felt it helped to showcase my new found love and drive for recreating Synth Patches used within electronic tracks while I put my own creativity in the tracks production.

I started making my track by creating the lead bass synth, I added Ableton's operator synth into a midi track and I stacked four oscillators with A being the main oscillator well the other three act as additional harmonics. I set the attack to be very quick and for each oscillator to have a short decay and low sustain to make each note sound more percussive I also applied a gentle high‑pass on the harmonics, added saturation, and tempo based modulation.  I feel this mix is relevant to my 

I made my drums using Ableton’s stock 909 kit and layered in an extra kick from the Ableton library for more low‑end weight. I ran the kit through a Bass Fattener to reinforce sub frequencies and add harmonic thickness, then used a gate and transient shaping to tighten the hits so they stayed punchy. I carved the mids with EQ, and I added light compression to bring the kit together, and I created a sidechain for my kick drum with a limiter and a EQ preset that brings up the low frequencies. 

For making the vocal track I sequenced the MIDI for the vocoder and I dragged in a default Ableton synth patch. On the vocoder input channel I applied a vocoder and adjusted the frequency range to be quite high, I also used a Saturator and auto panning with a moderate panning rate to give space to the mix. I sampled the original around the world vocal stems and applied corrective EQ I also added auto shift to tighten and stabilise the pitch so the output and vocoder input remain robotic and articulate like the original track.